Looking for a way to add some depth and movement to your tracks without spending a load of cash? Or do you want to incorporate some dubby effects without investing in a costly and temperamental tape delay device? Delay plug-ins could be the solution.

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These delay plug-ins deliver all the benefits of hardware delay units with the convenience of software. Best of all, they’re totally free!

Nov 13, 2017 The delay in the bundle (in fact all of them) is really one that I used in every single project before I went to mac. But here’s the fun part: Now you can make bundle 2 run on mac with the fxpansion wrapper (vst to au) I’m so happy ‘caus since two months I use them again They don’t sell ‘m anymore though.

Jun 04, 2017 TOP PRODUCERS and MIXER won't tell you about this Audio for Musicians - Duration: 7:29. Nico Astegiano 327,254 views. Dec 01, 2013 Russ shows 3 ways to use the Waves H Delay echo plug-in for mixing pop tracks. He shows 3 completely different uses for it on piano, guitar and vocal and shows the power of automation in a mix. Tempo Delay is a multi-feature stereo delay AAX, AudioUnit and VST plugin for professional sound and music production applications. Tempo Delay is based on tempo, incorporating filter and tremolo sections with separate controls for each stereo channel.

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1. Download Latest version: Stereo Tool 9.40 (March 18th 2020) MS - windows Tested on: Windows XP SP3, Vista, 7, 8, 10. Winamp/DSP plug-in version. For Winamp, StationPlaylist, Jazler, RadioBOSS, mAirlist, PlayoutONE LiveStream, SAM Broadcaster, AIMP, MediaMonkey and other applications that support Winamp DSP plug-ins. Note: The VST plugin.
2. Intuitive stereo delay Cat Delay is a stereo delay plugin from Slim Slow Slider. The Cat Delay features independent control of the tempo of the left and right channels to the BPM of the VST host, independent control of the note-length settings of each channel, and a filter section.

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Intro: About Delay Plugins

Delays are devices that add repeats or echoes to any sound that is routed through them. In the hardware realm, delays come in various types, from tape-equipped mechanisms to analog bucket brigade devices, to DSP units.

In the software world, there are delay plugins that aim to replicate the sound and functionalities of classic hardware devices. There are also more fully-featured units that incorporate modulation, and various other features that go well beyond what typical delays have to offer.

Even with the advent of DSP units and advanced-algorithm delay plug-ins, many musicians and producers continued to prefer hardware delays for their immediacy and warmer sound. But many current delay plug-ins now come close to replicating the warmth and idiosyncratic sounds of hardware devices. Even free plug-ins now compare favorably to the most revered hardware delay devices.

Best Free Delay VST/AU Plugins

The List

Plugin Roundup

Voxengo’s Tempo Delay is a stereo delay plugin intended for a wide variety of production applications.

As the name implies, it is a tempo-based delay that enables the setting of delay times in musical values according to the specified BPM. It also has a tremolo and a filter section.

Like the delay values, these can be adjusted independently for the left and right channels.

The Tempo Delay packs on a wealth of features that would be impressive even in a “for pay” plug-in. This could easily handle the majority of your delay needs.

Lagrange by Ursa DSP is a stereo delay that ups the ante by incorporating elements of granular synthesis. By capturing grains from different parts of the delay buffer, this plug-in can crank out some truly wild and wonderful sounds.

Lagrange is fully capable of producing more typical delay effects of course. But a simple twist of the delay knob or the feedback control results in everything from resonant, metallic clangs to evolving alien soundscapes.

Even if you already have a delay plug-in that you’re happy with, the Lagrange is a worthy addition to your arsenal.

Valhalla’s Freq Echo is another delay plug-in that can handle more vanilla echoes and repeats like a champ. But where it really shines is in its ability to spit out anything from swirling flanging and phasing to some of the most psychedelic textures you have ever heard.

Despite its simple and utilitarian interface, Freq Echo is capable of an exciting assortment of sounds. It even does a great job at cranking out warm and enigmatic dub echoes!

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Kjaerhus Audio Classic Delay is a bit more of a “typical” delay plug-in than the ones mentioned thus far, but it is certainly no less capable. Three modes are provided–Tape, Analog, and Digital–and each does a great job of approximating their associated modes without introducing any additional noise.

There is a “quality” control that allows you to introduce varying amounts of “imperfection”, adding to the realism of the sound.

Although the Audio Classic Delay doesn’t quite get into the freaky territory as readily as other more esoteric delay plug-ins, it can do some fairly outrageous effects care of the reversible feedback. A good, solid delay that should make a nice companion to your other quirkier plug-ins.

The WatKat is a clone of the Wem Watkins “Custom” Copicat that is billed as a “Tribute to Charlie Watkins”. Like the original hardware unit that inspired its design, the plug-in is noisy, unpredictable, and wonderfully lo-fi.

How closely it actually replicates the sound of the Copicat is up for contention. But one thing is for sure: the Watkat does add a lot of character to your tracks.

Matrix multiplication program in dev c++. Cockos’ ReaDelay is part of the ReaPlugs FX suite that will be familiar to users of the company’s celebrated Reaper DAW.

ReaDelay is a multi-tap delay that can have individual delays of as long as 10 seconds, with practically no tap count limit.

Tap lengths can be set to time values or quarter notes. The option to choose one or the other is always good to have in a delay, and it is an especially nice touch in a free plug-in.

++audio’s Rubbadub excels at thick and dirty dub delay, but it can handle various other task as well.

The good range of modulation options make it capable of producing cool flanger effects, and there is even a variable filter for more creative options. Unfortunately, it is not available for download at this moment, and we don’t know when it will be.

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Top Pick

All these delays are actually pretty good, and you really can’t go wrong with any one of them. Some are better suited to certain applications than others of course, as in the case of Valhalla’s Freq Echo’s capability to product modulated delays. But they can all handle a broad range of delay tasks, from standard echoes and slapback to flanging and chorusing, to more outlandish effects.

That being said, one plug-in stands out in particular: Voxengo’s Tempo Delay. With its array of features, its modulation options, and great sound, this is one of the best free delay vst plugins that can stand up proudly against the best paid offerings on the market.

Vocal Effects with Waves H-Delay

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The WavesH-Delay is one of my most frequented effect plugins because of its simplicity and ease of use. It is also in the top 20 most-used effect plugins among the Splice community. The H-Delay comes from Waves’ Hybrid line of products and has the flexibility to produce filtering, phasing, flanging, slap-back, ping-pong, and tempo sync modulation all in one single plugin.

In this blogpost, I’ll show you some vocal effects you can create with the H-Delay in your productions. Because the plugin is so simple to use, it only takes seconds to dial in different settings. To follow along, sign up for a free Splice account and download the project / stems and load it up in your own DAW. If you do not have the H-Delay, you can get it as a trial from Waves here.

1. Classic Slap-back

The slap-back delay effect was made famous back in the early days of recorded music by artist such as Elvis Presley and John Lennon. To emulate the settings of a slap back delay is simple. Delay times usually run between 60-120ms and since it was done on a tape machine, using the H-Delay’s filters to filter out a little bit of highs would make the delay sound a little more realistic. A slap-back delay can be used to replace a reverb. I personally like using slap-back delays in mono, as it gives my vocal a little bit more energy, life and sparkle. In this example our settings were:

Time: 121ms / LoPass: 1.47K / Feedback: 54

2. Classic Slap-Back with Ping Pong Turned On

This effect is a slight modification of the previous one as I wanted to use the delay to open up the vocals and make it seem wide. To do that, I turned on the Ping Pong setting on the H-Delay. Ping Pong is a delay type where the delayed signal would bounce back and forth between the left and right channels of a stereo field. The more activity perceived between the two channels of the stereo field, the more “stereo” something would sound. For this example, I also had a hi pass filter on to thin out the signal just a tiny bit. The settings are:

Time: 112ms / LoPass: 1.47k / HiPass: 143hz / Feedback 50 / PingPong: ON

3. Vocal Thickener

Another great use for the H-Delay is to use it not as a delay effect but as a vocal thickener. You can usually recreate this effect by using a Doubler plugin or two different delays with EQs. But with the H-Delay, you could just do everything in one. The steps behind thickening a vocal is to duplicate it, spread it across the stereo field and perhaps cut some high end so that you don’t really hear that there is a double in the background. In this example, I even added some modulation to add to the “thickness” of the double and make it less obvious. You may have noticed that I also chose to go with Analog Setting #1 as I liked how the setting manipulated the upper harmonics of the effected signal. The settings are:

Time: 21ms / LoPass: 292Hz / Depth: 12 / Rate: 0.21 / Feedback: 28 / Analog: 1 / PingPong: ON

4. Depth Creator

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A useful trick for creating depth and space for a vocal is by using delays. This particular setting creates a “dark” delay that moves in the background allowing to create an ambient space for the vocal to sit in. I decided to use the LoFi setting to create more of a “dirty” vibe. Notice that I had quite a high modulation rate so that I keep the delay moving in the background. The settings are:

Time: 215ms / LoPass: 292Hz / Depth: 8 / Rate: 8.88 / Feedback: 51 / Analog: 3 / LoFi: ON / PingPong: ON

5. Pop Delay

This delay setting is typical for a pop vocal where you have an 1/8th or 1/4 note delay that is thinned out with little feedback. As you can see, the high pass and low pass filters are both used to shape the delay signal to sound “radio” like. The settings are:

Time: 550ms / LoPass: 980hz / HiPass: 640Hz / Feedback: 10 / Analog: 2 / PingPong; ON

June 20, 2016